Watch Today's FREE Festival: Best of DANCE Shorts Festival
The Moment I Said It, 3min., USA
Directed Ryn Deyo
This piece reflects the moment of introspective learning — where the quiet, unseen transformation that occurs when healing begins is explored. We don’t return to what was, but learn to live with what is.
https://www.wildsound.ca/videos/audience-feedback-the-moment-i-said-it
Split Focus, 5min,. USA
Directed by Cherie Carson
"Split Focus" is a captivating dance film that delves into the intricate relationship between self-perception and external projection. Through mesmerizing shadow play, the film explores images of spirit and internal feelings versus outward appearances, prompting viewers to question which aspect demands more attention— the dancer herself or her shadow. Visually poetic, it offers a compelling examination of how we project ourselves into the world and the duality of inner and outer identities.
https://www.instagram.com/upswingaerial
https://www.wildsound.ca/videos/audience-feedback-split-focus
HALLWAYS, 2min., USA
Directed by Elizabeth Sears
Hallways is a dance film about independence and resilience in the midst of ambiguity. A mix of uncertainty and confidence permeates the choices we makes when navigating the external forces swirling around us.
https://www.wildsound.ca/videos/audience-feedback-hallways
Acid Alone In The Woods, 5min., USA
Directed by Alec Gessert
A dance music video exploring fear, paranoia, and pleasure one experiences alone in a dark forest.
https://www.instagram.com/alecgessert/
https://www.wildsound.ca/videos/audience-feedback-acid-alone-in-the-woods
MATTER, 21min., USA
Directed by Gabe Katz, Mike Murphy
A young woman enters into a journey of self-exploration, discovery, and identity. As she travels through the ephemeral, working through her understanding of self-perception, other travelers within the same universe try to join. These travelers soon realize that her story is not for them to mimic or assume, but to discover through their own experiences. They learn to accept that one can be empathetic to the experiences of others, without being central to the plot. These travelers become members of a creative community, observing and understanding a greater universal struggle: accepting oneself as a thread within the fabric of existence, and not the fabric itself. The young woman continues on her journey within the greater schema of reality. She endures everything and nothing all at once—accepting her present reality for its momentous nature, knowing it will be quickly lost to the vastness of time.