See the Full Lineup of FIlms:

VALDEMAR, 13min,. Chile
Directed by Pablo Icaza
Based on a story by Edgar Allan Poe. A mesmerist wants to see behind death, so he agrees with a dryng person to be hipnotized prior to death.

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FOLLOW THE LIGHT, 17min,. New Zealand
Directed by Cameron Madams
The film follows Lena, a first-year student, returning to Wellington with a desire to connect with her Māori culture. Through her dreams, and with the help of the mysterious Tai, Lena's curiosity leads her on a fantastical journey to confront the secrets of her past, present, and future.

NO MAN'S LAND, 15min., Argentina
Directed by Enzo Pedroni, Francisco Castro Inveninato
Threatened by imminent danger, Victoria and her baby seek refuge in an abandoned chapel where they meet Aquiles, an elusive village survivor who gives them shelter. Their bond will be tested when their paths cross with "El Golfista", a young man who makes many promises.

https://www.instagram.com/tierra.de.nadie1/?hl=es

CNX´S, 15min., Argentina
Directed by Bernardo Alejandro LORENZO
Abel lives in a complex where he interacts with a strange talking computer and develops an alienating job under a system of merits and punishments. Due to the deterioration that this routine generates, he needs to add more merits to update his biomechanical body and continue to be functional. For that, he receives the help of a delivery man who allows him to develop a plan to hack the system. When he succeeds, he discovers the truth about the environment in which he is immersed.

https://www.instagram.com/cnxs_cortometraje/

THE BLACK THREAD, 8min., Argentina
Directed by Bernardo Alejandro, LORENZO
Blanca Ravenna aged and sick, selects young Alma to assist her in homework and personal matters. During the first night there are strange appearances of dolls and a mysterious trunk.

https://www.instagram.com/elhilonegro.cortometraje/

THE SLAUGHTERHAUS, 9min,. Chile
Directed by Gonzalo Sepulveda
Based on a Nicanor Parra poem, A dystopian thriller about Meat Consumption and Global Warming.

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